Bagan in central Myanmar is one of the world’s greatest archeological sites, a sight to rival Machu Picchu or Angkor Wat but, for the time being at least, without the deluge of visitors. The setting is sublime. A verdant 26 square-mile plain, partly covered with palm trees and tamarind caught in a bend of the lazy-flowing Irrawaddy river framed by the hazy silver-grey of distant mountains. Rising from the plain’s canopy of green are thousands of temples, built by the kings of Bagan between 1057 and 1287, until their kingdom was swept away by earthquakes and Kublai Khan with his invading army of Mongols. Some 2,230 of an original 4,450 temples have survived, a legacy of the Buddhist belief that to build a temple was to earn merit. Many are superbly preserved or have been restored by Unesco, and many contain original frescoes, carvings and statues of Buddha, big and small. Only a handful are regularly visited, and although tourist numbers are increasing, Bagan is still, by the standards of sites of a similar beauty and stature, a gloriously unsullied destination. Escorted by our guide Santo, a Bagan native and expert on the art, history and architecture of the archaeological zone, we were privileged to be guided on a private tour of Bagan's glorious past.
Htilominlo Temple, built during the reign of King Htilominlo 1211-1231
One of four entry gates to Htilominlo
One of the original 13th-century carvings of a demon who protects the temple
Constructed with brick, Htilominlo was originally plastered with white stucco, some of which is still in place, like this carving with a louis bud motif along the base
Original ceiling paintings inside the temple are over 800 years old
Facade of the 3-storey buddhist temple
Ornamental spire of the temple, the style of which originated in northern India
Farmers with oxen are a common site among the temples of Bagan
Gubyaukgyi Temple
Built in 1113 AD, Gubyaukgyi Temple is notable for two reasons. First, it contains a large array of well-preserved frescoes on its interior walls, the oldest original paintings to be found in Bagan. All of the frescoes are accompanied by ink captions written in the old Mon, providing one of the earliest examples of the language's use in Myanmar. Secondly, the temple is located just to the west of the Myazedi pagoda, at which was found two stone pillars with inscriptions written in four, ancient Southeast Asian languages: Pali, Old Mon, Old Burmese, and Pyu. The inscription on the pillar displayed by the Myazedi pagoda has been called the Burmese Rosetta Stone, given its significance both historically and linguistically, as a key to cracking the Pyu language.
Detail of the Myazedi stone inscription, called the Burmese Rosetta Stone, given its significance both historically and linguistically, as a key to cracking the Pyu language
Gold chedi atop the Gubyaukgyi Temple
Wonderful old temple beside the more noteworthy Gubyaukgyi
Nanpaya Hindu Temple means 'King's Temple' and was built in 1059 AD
Reminiscent of a four-aisled Russian church, the layout has allowed for a system of lighting the central space through perforated screens in the windows
Interior bas-relief carving of the three-headed Brahma
Built around 1105 by King Kyanzittha, Ananda temple is considered to be one of the finest surviving masterpieces of the Mon architecture. Also known as the largest, best preserved and most revered of the Bagan temples, Ananda suffered considerable damage during an earthquake in 1975 but has been totally restored. This perfectly proportioned temple heralds the stylistic end of the Early Bagan period and the beginning of the Middle period. In 1990, on the 900th anniversary of the temple's construction, the temple spires were gilded, and the remainder of the temple exterior is whitewashed from time to time.
Ananda Temple
Roof detail with Naga, a protective serpent guarding the temple
One of 554 rare glazed green tiles showing jataka scenes — life stories of the Buddha
Original glazed pieces are very rare in Bagan, given the age of the temples
Demon guarding the temple
Devout Buddhists burnish gold leaf on buddhas to show respect, often masking the original details of the sculpture with layers of gold leaf
The Buddha is thoroughly covered in gold leaf
Facing outward from the centre of the Ananda Temple, four 30-foot high standing Buddhas represent the four Buddhas who have attained nirvana
One of two the original 12th-century Bagan-style Buddhas with a hand position symbolising the Buddha's first sermon — the dhammachakka mudra
Queen Restaurant in Bagan's Archeological Zone, where we stopped for lunch
The courtyard of Queen Restaurant, with our guide fabulous Santo on the left
The perfect start to lunch — a cold Myanmar beer
Tiny tasty Myanmar peanuts
Queen traditional Myanmar cuisine menu
Prawn spring rolls
Country Style Chicken Curry with tomato and onion gravy, served in a lacquerware box
with steamed rice and mixed salads
Irrawady River Prawn Curry
Large river pawns in a tomato curry with green peppers
Sliced watermelon for dessert
The golden Shwezigon Paya in Bagan is one of the most significant religious buildings in Myanmar, for it served as a prototype for later stupas built throughout the country and marked an important development in the relationship between traditional Burmese religion and Theravada Buddhism. Built in the 11th century by King Anawrahta, a recent convert to Theravada Buddhism, the king built Shwezigon to be a massive reliquary to enshrine a collection of relics, including the Buddha's frontal and collar bones, a copy of the tooth relic at Kandy, Sri Lanka, and an emerald Buddha image from China. The king had completed three terraces of the Paya when he was killed by a wild buffalo in 1077, however the shrine was completed between 1086 and 1090 by King Kyanzittha, Anawrahta’s successor who was arguably Bagan’s greatest king and certainly one of its greatest builders: it was under him that Bagan became known as the "city of four million pagodas." The Shwezigon Paya has retained to this day the essential shape it assumed on completion in 1090, which became the architectural prototype for many other stupas across Myanmar. Another significant aspect of Shwezigon's history is that it marked the first royal endorsement of the 37 nat or spirits, a central focus of Burmese religion before the arrival of Buddhism.
The golden Shwezigon Paya in Bagan is one of the most significant religious buildings in Myanmar
Closeup of the Paya
Series of gold urns topped with flowered parasols
The Shwezigon Paya Buddha
Ornate mirror, coloured glass and gold interior detail
Little boy outside the Paya
At sunset, the white Shwesandaw Pagoda becomes a beacon for visitors who gather to take advantage of the fantastic views over the temples of Bagan
Two small lovely temples beside Shwesandaw
View from the first terrace of Shwesandaw
View over the plains of Bagan
View of the impressive Htilominlo Temple at sunset
Built in 1165, Dhammayangyi Temple is the largest of all the temples in Bagan
View with Ananda Temple in the distance
The magnificent Thatbyinnyu Temple towers above the other monuments of Bagan
Temples framed by the hazy silver-grey distant mountains
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